This season at Prada, we are taken on a whirlwind of a journey through many contrasting inspirations. Miuccia Prada is the queen of vulgar beauty: she never just sends out a pretty dress, there has to be a twist. This season was no exception to her pleasingly schizophrenic aesthetic.
The runway was a hint to an industrial theme: a simple stage made of flat, bright lights that resembled a factory ceiling or abandoned subway station. The first look out was a bright orange dress with broad shoulders, which resembled a hospital scrub. All of the colors were bold from the striped sundresses to the suits that hinted back to the 90's. But there's a catch. Prada did not want to be yet another to do the whole Helmut-Lang-Reincarnated thing, so she chose two opposites to unite: minimalism and baroque. Just when one would think that those two styles could not be more different, Miuccia Prada manages to make them a fusion so well.
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The shoes and sunglasses were so amazing, too. I especially loved the wedges that were half-loafer or Italian mens' shoes and half-rainbow cookie on the bottom. And the sunglasses were a mix of candy and baroque in the shape of a welding or lab goggle. A weave of work, play and imagination.
Overall, a spectacular collection filled with all sorts of references that no one else would be successful at pulling together. Let's see we have: Josephine Baker, the 90's, minimalism, baroque, the 30's, the 20's, scrubs, and I'm sure many more that the right person could pick up on. Mrs. Prada provides a sense of mystery in her collections and often leaves viewers in a twisted mind-state on what they just saw. The irony is perhaps what makes her brand so unique and powerful. A true talent and by far the best out of the Milan shows. Prada is what fashion is about: posing and playing with questions that concern our society and everyday life.
photos via Style.com
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